CHLOE SHARROCK
ABOUT
After studying art history, specializing in the representation of violence in Baroque painting, Chloe began photography through journalism, in order to confront as closely as possible this human brutality and try to grasp its complex workings.
Her journalistic work first took her to the Middle East (Syria, Iraq, Gaza, etc.) and then to Ukraine, where she covered major issues related to the conflicts, particularly the trauma and reconstruction of civilian populations.
These images then become the raw material for a plastic work developed in parallel. Today, Chloe's journalistic and artistic work continually feed off each other to question violence in all its forms and the representations we make of it.
Represented by the MYOP agency for her journalistic work, Chloe is also a member of the Paris Print Club where she develops her artistic activity in parallel.
Her work has been recognized with grants from the CNAP (2020), the Ministry of Culture (2020) and the 2022 Grande Commande Photographique nationale launched by the BNF. Her work has been exhibited at the prestigious photojournalism festival Visa pour L'image (2020), as well as at the Kawasaki Peace Museum in Japan (2020), the Museumsquartier Osnabrück in Germany (2023), the Rencontres d'Arles (2022) and, more recently, the Galerie PPC in Paris (2025).
Chloe regularly collaborates with the French and international press in parallel with her artistic practice (Le Monde, Libération, The Washington Post, Elle Magazine, etc.).